Release date:2022, November

Duration:06 h 18 m

Author:Robert Marzullo

Skill level:Beginner

Language:English

Exercise files:Yes

This course is designed to help artists develop a strong foundation in figure drawing by providing a comprehensive understanding of the body in motion. Led by experienced instructor Robert A. Marzullo, the course provides an in-depth exploration of the body’s gestures and rhythms, stereometric drawing, balance, body language, bony landmarks, anatomy, foreshortening, and light and shadow.

Through a series of engaging and informative video lessons, students will learn how to draw the human figure in a way that captures the essence of movement and expression. The course is suitable for artists of all levels, from beginners to advanced, and covers a wide range of topics and techniques.

Throughout the course, students will receive personalized feedback from the instructor, as well as access to a supportive community of fellow artists. The course is self-paced and flexible, allowing students to learn at their own speed and on their own schedule.

By the end of the course, students will have a strong understanding of the fundamentals of figure drawing, as well as the skills and techniques necessary to create dynamic and engaging drawings of the human body in action. Whether you are an aspiring artist or a seasoned professional, this course is an excellent resource for improving your skills and taking your art to the next level.

Greetings! I’m Robert A. Marzullo, your instructor for the course “Figure Drawing – The Body in Action!” I’ve been teaching online for six years and I’m passionate about helping artists enhance their skills. I’ve authored the book “Learn to Draw Action Heroes” as well.

My aim is to assist you in developing a solid foundation in figure drawing that will stick with you for a long time. Rather than just following along and memorizing by observation, you’ll gain an understanding of why the body moves and reacts in certain ways.

Throughout the course, you’ll learn about the body’s gestures and rhythms, stereometric drawing, balance, body language, bony landmarks, anatomy, foreshortening, and light and shadow. We’ll also focus on specific areas that frequently hinder artists from drawing the human figure accurately.

Table of Contents

Section 1 – Stereometric Drawing of the Figure

L1 – Drawing with Primitive Forms

L2 – Drawing the 3 Main Masses

L3 – Drawing Arms with Basic Forms

L4 – Drawing the Legs with Basic Forms

L5 – Drawing the Legs with Basic Forms – Part 2

L6 – Drawing the Full Figure with Primitive Forms

Section 2 – Drawing the 3 Main Masses of the Body Organically

L7 – The Basic Head Form

L8 – The Basic Upper Torso Form

L9 – The Basic Pelvis Form

L10 – Attaching the Forms to the Spine

L11 – Attaching the Forms to the Spine – Part 2

L12 – Turning the Forms of the Body

L13 – Various Poses of the 3 Masses

Section 3 – Gesture Drawing and The Energy of the Body

L14 – Benefits of Gesture Drawing

L15 – Additional Gesture Drawing Examples

L16 – Rhythms of the Arms and Legs

L17 – Using the Bean Shape to Draw the Torso

L18 – Using the Bean Shape – Rendered Example

Section 4 – Proportions of the Body

L19 – Basic Male Proportions

L20 – Basic Male Proportions – Part 2

L21 – Basic Female Proportions

L22 – Basic Female Proportions – Part 2

Section 5 – Specific Areas of Study and Bony Landmarks

L23 – Spine of Scapula – Line Art

L24 – Spine of Scapula – Refinement

L25 – Spine of Scapula – Value Study

L26 – Male Torso – Clavicle and Sternum Study

L27 – Male Torso – Clavicle and Sternum Refinement

L28 – Male Torso – Clavicle and Sternum – Value Study

Section 6 – Drawing the Figure in Action

L29 – Action Pose – Jumping – Sketch

L30 – Action Pose – Jumping – Refinement

L31 – Action Pose – Female Dancing – Gesture

L32 – Action Pose – Female Dancing – Primitive Forms
1 – Introduction to this Course

01 – Introduction

2 – Stereometric Drawing of the Figure

02 – Warming Up with Primitive Forms 03 – Drawing the 3 Main Masses with Basic Forms 04 – Drawing Arms with Basic Forms 05 – Drawing Legs with Basic Forms 06 – Drawing Legs with Basic Forms 2nd Example 07 – Drawing the Full Figure with Primitive Forms

3 – Constructing the 3 Main Masses of the Body with Organic Forms

08 – The Basic Head Form 09 – The Upper Torso Form 10 – The Pelvis Form 11 – Attaching the Forms to the Spine 12 – Attaching the Forms to the Spine Part 2 13 – Turning the Forms of the Body 14 – Various Poses of the 3 Masses

4 – Gesture Drawing and the Energy of the Body

15 – The Benefits of Gesture Drawing 16 – Additional Gesture Drawing Examples 17 – Rhythms of the Arms and Legs 18 – Using the Bean Shape to Draw the Torso 19 – Using the Bean Shape Rendered Example 20 – Gesture Drawing Arms and Legs

5 – Proportions of the Body

21 – Basic Proportions of the Male Figure 22 – Basic Proportions of the Male Figure Part 2 23 – Basic Female Proportions 24 – Basic Female Proportions Part 2

6 – Specific Areas of the Body to Study Bony Landmarks

25 – Spine of Scapula Study Line Art 26 – Spine of Scapula Study Refinement 27 – Spine of Scapula Value Study 28 – Male Torso Clavicle and Sternum Study 29 – Male Torso Clavicle and Sternum Refinement 30 – Male Torso Clavicle and Sternum Value Study 31 – Leg and Knee Anatomy Anterior View 32 – Leg and Knee Anatomy Lateral View

7 – Drawing the Figure in Action

33 – The Figure Jumping Sketch 34 – The Figure Jumping Refinement 35 – Female Figure Dancing Gesture Sketch 36 – Female Figure Dancing Primitive Forms

[Udemy] Figure Drawing – The Body In Action.7z [Udemy] Figure Drawing – The Body In Action_Subtitles.7z

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