Release date:2021

Author:Denver Riddle

Skill level:Beginner

Language:English

Exercise files:Yes

Chances are you’re either a filmmaker or an editor and you handle all of you’re own color grading inside of Premiere (the buck stops with you). But you might be feeling frustrated when you’re not getting the results that you’re looking for. You may feel overwhelmed with the Lumetri Color panel or you may even watch a film or project and say to yourself, “Why can’t I grade like that?”

Imagine for a moment what it would feel like knowing that you’re getting the most cinematic look from your camera. How it would feel to be complimented on the style of your work. What would it mean to stand out from your competitors who are likely not even thinking of color grading or very good at it? And how would it feel to land a big project with a major client? You can do it and I’m here to help you.

Module 01 Broadcast Safe in Premiere Pro Color Balancing in Premiere Pro Color Balancing With The RGB Overlay Color Grading Workflow in Premiere Pro Color Management Create, Add and Save LUTs in Premiere Prol Introduction to Scopes in Lumetri Lumetri Histogram Scopes Lumetri Parade Scopes Lumetri Vectorscope Lumetri Waveform Scopes Obsolete Color Effects in Premiere Prol Overview of LUTs in Premiere Pro Setting Exposure in Premiere Pro Setting Up a Timeline in Premiere Pro Using Creative LUTs in Premiere Pro Using Technical LUTs in Premiere Pro Working With Black Magic Cinema Raw in Premiere Pro Working With LOG in Premiere Pro Working With RED RAW in Premiere Pro

Module 02 Color Correcting White Limbo in Premiere Pro Correcting Darker Skin Tones Correcting Lighter Skin Tones Correcting Skin Tones Effects And Mask Tracker in Premiere Pro Export Options and Formats HDR Grading Technique in Premiere Pro HSL Advanced Secondary Corrections in Premiere Pro HSL Secondary Corrections in Premiere Pro Hue Saturation Curve Tools in Premiere Pro Introduction to Ideal Skin Tones Keyframing Effects in Premiere Pro Raccoon Eyes Technique in Premiere Pro Recovering Skin Tones Secondary Corrections With Vignettes and Masks

Module 03 Grade Management in Premiere Pro Grading Multicam Advanced Grading Multicam Masterclass Part 1- Building the Base Correction Masterclass Part 2- Shot to Shot Matching and Secondaries Masterclass Part 3- Grouping Masterclass Part 4- Look Building Intro and Delivery Picking a Hero Shot Shot to Shot Matching Advanced Shot to Shot Matching Multiple Cameras Shot to Shot Matching

Module 04 Auditioning Different Scene Versions Black And White Look Bleach Bypass Look Color Schemes and Harmonies Complementary Contrast and Warm Cool Contrast Contextual Looks Contrast of Hue Contrast of Saturation Contrasts of Color Introduction Contrasts of Light and Dark Cosmetic Look Creating Looks Around Skin Tones Creating Mood Creative Looks Based on a Color Scheme Cross Process Look Day For Night Look Dialing Looks to Taste Memory Colors and What Certain Colors Mean Orange Teal Look Suggesting Time of Day Vintage Looks Wes Anderson Look What is The Goal

[ColorGradingCentral] Color Grading Academy For Adobe Premiere.7z.002 [ColorGradingCentral] Color Grading Academy For Adobe Premiere.7z.001

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