Release date:2018, October
Duration:04 h 48 m
Author:Chad Perkins
Skill level:Beginner
Language:English
Exercise files:Yes
Learn what it actually takes to create a short film—from the brainstorming stage, all the way until opening night. Each installment of the 13-part Creating a Short Film series focuses on different aspects of the production workflow. Here, filmmaker Chad Perkins focuses on editing, providing real-world context by showing how the concepts highlighted in the course were applied in the making of The Assurance, the short film featured throughout the series. Chad starts with the basics of the editing workflow. He then goes over fundamental techniques, including how to select the right take, create a montage, and determine when to cut. Plus, learn how to reframe shots, create a rough cut, make rolling end credits, export shots, render for film festivals and theatrical screenings, and much more.
Topics include:
Telling stories with edits
Syncing audio and video
Matching eyelines
Knowing when not to cut
Controlling the pacing
Controlling emotion with shot size
Working with audio
Creating a rough cut
Creating end credits
Rendering and outputIntroduction
About this training series 3m 4s
The Assurance 7m 44s
Introduction to this course 3m 45s
1. Understanding Film EditingTelling stories with edits 3m 44s
The history of film editing 5m 25s
The editing workflow 2m 29s
2. Preparing to EditOffloading footage 5m 59s
Organizing footage 15m 1s
Syncing audio and video 8m 10s
3. In the BeginningUnderstanding the script 3m 15s
Finding an editing workflow 5m 43s
Understanding timecode 5m 34s
Working with high-frame-rate media 3m 42s
4. Editing BasicsSelecting the right take 4m 44s
Respecting screen direction 2m 25s
Matching eye lines 2m
Understanding the 180-degree line 1m 55s
Crossing the 180-degree line 2m 37s
Creating a montage 2 m 43s
Creating an assembly edit 2m 57s
5. The Art of EditingKnowing when to cut 3m 30s
Knowing when not to cut 5m 11s
Cutting vs. using transitions 4m 51s
Matching action 3m 35s
Controlling the pacing 3m 1s
Using establishing shots 2m 31s
Including reaction shots 3m 29s
Controlling emotion with shot size 2m 34s
6. Working with AudioOrganizing audio tracks 8m 18s
Working with multiple sync streams 7m 19s
Editing dialog 8m 28s
Utilizing room tone 9m 51s
Editing voiceovers 7m 43s
Cutting on plosives 7m 27s
Editing at the sample level 7m 20s
Cutting to a temp score 3m 49s
7. Refining the EditUsing J and L cuts 10m 36s
Following the focal point 3m 42s
Reframing shots 7m 15s
Creating a rough cut 2m 9s
Declaring picture lock 2m 11s
8. Creating End CreditsGiving credit on your film 2m 36s
Making rolling end credits 12m 27s
Using higher frame rates for end credits 2m 53s
9. Editing The AssuranceIntro to our rough cut 1m 40s
The Assurance rough cut 13m 16s
Evaluating our rough cut 3m 31s
Re-editing The Assurance 5m 16s
Removing significant things 3m 33s
10. Exporting to OtherProcesses Preparing to export 3m 29s
Burning in timecode 3m 39s
Exporting the edit to a colorist 2m 32s
Exporting the edit to a sound designer 1m 36s
Exporting the edit to a composer 1m 46s
Exporting shots for visual effects 3m 8s
11. Rendering and Output
Doing intermediate renders 3m 41s
Rendering for film festivals 1m 45s
Rendering for theatrical screenings 1m 46s
Rendering to DVD and Blu-ray 2m 42s
Rendering for the web 2m 25s
Rendering a master to archive 56s
ConclusionBecoming a better editor 3m 14s
Previewing the next course 1m 57s
Final thoughts 41s01. Introduction 01.About this training series 02.The Assurance 03.Introduction to this course
02.1. Understanding Film Editing 04.Telling stories with edits 05.The history of film editing 06.The editing workflow
03.2. Preparing to Edit 07.Offloading footage 08.Organizing footage 09.Syncing audio and video
04.3. In the Beginning 10.Understanding the script 11.Finding an editing workflow 12.Understanding timecode 13.Working with high-frame-rate media
05.4. Editing Basics 14.Selecting the right take 15.Respecting screen direction 16.Matching eye lines 17.Understanding the 180-degree line 18.Crossing the 180-degree line 19.Creating a montage 20.Creating an assembly edit
06.5. The Art of Editing 21.Knowing when to cut 22.Knowing when not to cut 23.Cutting vs. using transitions 24.Matching action 25.Controlling the pacing.en.srt 25.Controlling the pacing 26.Using establishing shots 27.Including reaction shots 28.Controlling emotion with shot size
07.6. Working with Audio 29.Organizing audio tracks 30.Working with multiple sync streams 31.Editing dialog 32.Utilizing room tone 33.Editing voiceovers 34.Cutting on plosives 35.Editing at the sample level 36.Cutting to a temp score
08.7. Refining the Edit 37.Using J and L cuts 38.Following the focal point 39.Reframing shots 40.Creating a rough cut 41.Declaring picture lock
09.8. Creating End Credits 42.Giving credit on your film 43.Making rolling end credits 44.Using higher frame rates for end credits
10.9. Editing The Assurance 45.Intro to our rough cut 46.The Assurance rough cut 47.Evaluating our rough cut 48.Re-editing The Assurance 49.Removing significant things
11.10. Exporting to Other Processes 50.Preparing to export 51.Burning in timecode 52.Exporting the edit to a colorist 53.Exporting the edit to a sound designer 54.Exporting the edit to a composer 55.Exporting shots for visual effects
12.11. Rendering and Output 56.Doing intermediate renders 57.Rendering for film festivals 58.Rendering for theatrical screenings 59.Rendering to DVD and Blu-ray 60.Rendering for the web 61.Rendering a master to archive
13. Conclusion 62.Becoming a better editor 63.Previewing the next course 64.Final thoughts
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