Release date:2018

Author:Insidetheedit

Skill level:Beginner

Language:English

Exercise files:Yes

The Magic of Editing

Imagine if you could look at any genre of raw footage be it documentary, drama, reality, news or corporate and instinctively know the perfect way to structure, pace and stylise it into something that can be watched by millions of people. This is exactly what we teach at Inside The Edit.

Inside The Edit is the only course in the world that teaches the actual art of editing to a professional level. It is a transformational, creative journey that shapes you into an elite storyteller.

Every other editing course focuses on the technical side of editing software but Inside The Edit focuses solely on the actual art of editing, through hundreds of concepts, techniques and principles that will transform you into an employable filmmaker.

Chapter 01. Introduction & Fundamentals

1.1 Getting the Most of the Course 1.2 The Editor – Basic Abilities & Responsibilities 1.3 The Pro Workflow 1.4 Useful Terminology 1.5 Creative Editing – First Concepts

Chapter 02. Setting Up and Organising

2.1 Setting Up a Project – First Layer of Organisation 2.2 Organising the Footage – The Second Layer 2.3 Additional Advantages of Organising Our Footage 2.4 Different Ways to Organise – Sequences vs Sub-clips 2.5 Setting Up Your Timeline – Good Housekeeping

Chapter 03. Breaking Down Your Footage

3.1 First Impressions – How to Look at Raw B-Roll 3.2 Essential Questions While Breaking Down 3.3 Breaking Down Sync – First Concepts 3.4 Sync Categorisation 3.5 Rushes with B-Roll and Sync

Chapter 04. Laying Down Your Sync

4.1 Constructing a Sync Assembly – First Concepts 4.2 Essential Pulling Questions 4.3 Structuring the Sync Arc 4.4 Special Sync – Start, End & the J Word 4.5 Finessing the Sync Pull 4.6 Reviewing the Sync Pull

Chapter 05. Painting Pictures the Concepts

5.1 Deciding the Tone 5.10 What Cuts Well – The Many Purposes of Shot Flow (Part 5) 5.2 Pre-Visualisation – Working Backwards 5.3 Blocking Out – Primary Connections from Sync to Picture 5.4 Thoughts on the Pictorial Story Arc 5.5 The Many Purposes of B-Roll 5.6 What Cuts Well – The Many Purposes of Shot Flow (Part 1) 5.7 What Cuts Well – The Many Purposes of Shot Flow (Part 2) 5.8 What Cuts Well – The Many Purposes of Shot Flow (Part 3) 5.9 What Cuts Well – The Many Purposes of Shot Flow (Part 4)

Chapter 06. Perfecting the Pictures

6.1 Jump Cuts – How Many & Where Are They_ 6.2 Jump Cuts – Selection, Positioning & Timing 6.3 In Vision & Out of Vision 6.4 Creating Space 6.5 Starting & Ending a Scene (Part 1) 6.6 Starting & Ending a Scene (Part 2) 6.7 Starting & Ending a Scene (Part 3) 6.8 Viewing The Rough Cut

Inside The Edit (Chapters 1-6) Files.7z

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