Release date:2018, June 21

Duration:02 h 57 m

Author:Robbie Carman

Skill level:Intermediate

Language:English

Exercise files:Yes

Interested in learning more about color correction? In this course, colorist Robbie Carman provides editors and those new to working with color with practical strategies that can help them simplify color correction tasks for nearly any project. Robbie provides crucial information about how people really see and why one’s environment plays an important role in successful color correction. He also discusses how to technically and creatively evaluate footage and projects, manage time and effort while color correcting, break down a project into manageable steps, and more.

Topics include:

How people see Creatively and technically evaluating a project Interpreting your client’s direction for a project Estimating how long a project will take Six stages that happen in a color correction workflow Timeline level grading Building a correction and look toolkit
Table of Contents

0. Introduction

Welcome and what you need to know before taking this course 2m 33s

Exercise files 2m 32s

Essential color correction vocabulary 3m 27s

1. Understanding How People See

Color correction should be easy, right? 3m 59s

A quick primer: Human visual physiology 3m 16s

The psychology of seeing 5m 2s

2. Getting Set Up for Successful Color Correction

Controlled and correcting lighting with a neutral environment 7m 49s

Reference monitoring and calibration vs. computer monitors 5m 49s

The real world: Grandma’s pink TV 3m 12s

3. Starting a Grade: Creative Evaluation

Learning to creatively evaluate a project 7m 6s

Interpreting client direction while understanding client tendencies and references 5m 19s

What would you do? Creative evaluation examples 5m 41s

4. Starting a Grade: Time and Effort

How long and how much effort will a project take to color correct? 5m 25s

The six stages of color correcting a project 7m 54s

How much time and effort: Examples 7m 17s

5. Starting a Grade: Technical evaluation

The role video scopes play in evaluating shots 2m 25s

Using a waveform to judge contrast and white/Ыаск levels 11m 13s

Using a vectorscope to judge overall color and saturation 4m 58s

Using RGB Parade and RGB Overlay waveforms to judge color balance 5m 54s

Using a histogram to judge contrast and color balance 3m 14s

Additional scope concepts: Skin tone, colorfulness, and shot matching 9m 30s

6. Starting a Grade: Workflow

The six parts of grading a project 7m 1s

In action: Identifying hero shots 5m

In action: Starting with brightness 5m 33s

In action: Moving next to color 7m 55s

In action: Versioning shots 5m 59s

In action: Saving, comparing, and exporting stills 7m 21s

In action: Getting to the end and making quick matches 8m 42s

In action: Worrying about the details 5m 36s

7. Additional Color Correction Management Concepts

Timeline level grading 1 2m 57s

Building a correction and look 1 toolkit 6m 42s

Conclusion Summary 51s
Files Color for Video Editors
001 Welcome and what you need to know before taking this course 002 Exercise files 003 Essential color correction vocabulary 004 Color correction should be easy, right_ 005 A quick primer – Human visual physiology 006 The psychology of seeing 007 Controlled and correcting lighting with a neutral environment 008 Reference monitoring and calibration vs. computer monitors 009 The real world – Grandmas pink TV 010 Learning to creatively evaluate a project 011 Interpreting client direction while understanding client tendencies and references 012 What would you do_ Creative evaluation examples 013 How long and how much effort will a project take to color correct_ 014 The six stages of color correcting a project 015 How much time and effort – Examples 016 The role video scopes play in evaluating shots 017 Using a waveform to judge contrast and white-black levels 018 Using a vectorscope to judge overall color and saturation 019 Using RGB Parade and RGB Overlay waveforms to judge color balance 020 Using a histogram to judge contrast and color balance 021 Additional scope concepts – Skin tone, colorfulness, and shot matching 022 The six parts of grading a project 023 In action – Identifying hero shots 024 In action – Starting with brightness 025 In action – Moving next to color 026 In action – Versioning shots 027 In action – Saving, comparing, and exporting stills 028 In action – Getting to the end and making quick matches 029 In action – Worrying about the details 030 Timeline level grading 031 Building a correction and look toolkit 032 Summary Ex_Files_Color_for_Video_Editors.zip
MediaFiles
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