Release date:2017, June

Author:Richard Harringt, Robbie Carman

Skill level:Beginner

Language:English

Exercise files:Yes

Capturing video in raw or log tells the camera to record more values from a scene—meaning you’ll be able to recover more from your highlights and shadows and adjust more colors and tones in post-production. Granted, the files sizes will be bigger, and working with these file types can be a bit intimidating, but the additional adjustment options afforded to you by working in log or raw often makes capturing in any other mode a thing of the past.

In this course, join Rich Harrington as he shows you how to record video in raw and log, process the files, and complete a post-production workflow. First, Rich explains the reasons why raw and log files can be beneficial to use. Then, he shows you how to configure camera settings and start recording, monitoring along the way. Next, he covers the file transfer process so you can get the videos ready for post. Finally, he takes you through post-production editing workflows using Adobe Premiere Pro CC, Final Cut Pro X, and DaVinci Resolve. Additionally, Rich shows you some manipulation tricks.

001 Meet your instructors 002 What you should know before watching this course 003 Using the exercise files 004 Log and raw vs. regular video 005 What is log recording_ 006 Understanding different flavors of log 007 Beware of fake log 008 What is raw video recording_ 009 Can I record video in both log and raw_ 010 What is a lookup table (LUT)_ 011 What is bit depth_ 012 What is dynamic range_ 013 What impact does compression have on recording_ 014 Recording video in-camera or with an external recorder 015 Choosing the correct media type for recording 016 Recording with a reference chart and slate information 017 Applying a preview LUT in camera 018 Applying a LUT in monitor 019 Applying an Input LUT in your NLE 020 The role of a DIT on a professional set 021 Sony recording workflow 022 Canon recording workflow 023 Blackmagic recording workflow 024 Panasonic workflow 025 Working native or transcoded 026 Storage requirements 027 Lookup table workflows 028 Raw development strategies 029 Ingesting raw and log material in Premiere Pro 030 Creating proxy files in Premiere Pro 031 Applying and adjusting Input LUTs in Premiere Pro 032 Adjusting source settings on raw files 033 An overview of adjusting color and exposure in Premiere Pro 034 Moving raw and log material to After Effects 035 Applying a LUT in After Effects 036 Ingesting raw and log material in Final Cut Pro X 037 Creating proxy files in Final Cut Pro X 038 Applying and adjusting input LUTs in Final Cut Pro X 039 An overview of adjusting color and exposure in Final Cut Pro X 040 Ingesting footage and using Resolve Color Management 041 Creating optimized media files in Resolve 042 Applying and adjusting LUTs in Resolve 043 An overview of adjusting color and exposure in Resolve 044 Importing and exporting a LUT in Premiere Pro 045 Importing and exporting a LUT in Final Cut Pro X 046 Importing and exporting a LUT in Resolve 047 Manipulating LUTs with Lattice 048 Next steps Raw & Log Video Production Workflows Online Class – LinkedIn – by Richard Harrington and Robbie Carman.7z.001 Raw & Log Video Production Workflows Online Class – LinkedIn – by Richard Harrington and Robbie Carman.7z.002 Raw & Log Video Production Workflows Online Class – LinkedIn – by Richard Harrington and Robbie Carman.7z.003 [Linkedin] Raw & Log Video Production Workflows by Richard Harrington and Robbie Carman_Subtitles.7z

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