Look Development and Lighting Techniques for Film

“The Ningyo” is an award-winning, 30-minute movie that will soon make its way to the big screen as a feature film. In this workshop, VFX Artist and Director of “The Ningyo,” Miguel Ortega, breaks down the creation of two specific shots featured in the period fantasy film to share his Nuke, look development, lighting techniques, and the basic concepts he follows when creating a short movie.

In the first shot of an underwater diver, Miguel reveals how he began with a rock photogrammetry asset by Quixel Megascans, blocked out the lighting, and then set up his shaders and textures. Using MASH for Maya, he then demonstrates his workflow for geometry scattering and how he populated rocks with barnacles for maximum impact. Miguel lectures on creating tileable materials with Quixel’s Mixer for building ocean floors and provides a brief overview of multipass rendering and compositing using Maya and Nuke. He also shares his understanding of color channels for use with color correction and compositing of the lighting, and utilizing lens flares for underwater scenes.

The workshop concludes with a demonstration of Miguel’s tips and tricks for creating dynamic camera moves using image projections. Sampling a second shot from the film — a lecture hall with lots of live-action elements — Miguel divulges his compositing techniques in Nuke for creating highly realistic scenes far beyond the film set. The finale of the workshop offers a seven-minute behind-the-scenes look at “The Ningyo,” which gives a deep insight into the making of the movie and exposes how the labor-of-love project came to be.

01. Introduction_AC 02. Diving Shot 03. Diving Shot – Maya Mesh 04. Diving Shot – Quixel Mixer 05. Diving Shot – Multipassrendering 06. Diving Shot – Understanding Color Channels 07. Diving Shot – Cgbubbles Vray Metaballs 08. Diving Shot – Camera Movement 09. Lecture Hall – Liveaction Shot Breakdown 10. Lecture Hall – Liveaction Shot Breakdown

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